First Light is a bridge between conservation organizations and Penobscot, Passamaquoddy, Maliseet and Micmac Communities who seek to expand Wabanaki access and relationship to land.
We aspire to reciprocity: our goal is to expand Wabanaki access and relationship to land for prosperity and to create a stronger conservation movement that includes and reflects Indigenous expertise and perspective. All will benefit from this, and it all begins with the land.
Because in Maine 90% of that land is privately owned and 23% is stewarded by conservation organizations, the work of First Light needed to be rooted within the private, white-led conservation movement. Today Wabanaki people legally steward 0.01% of their ancestral lands in Maine. First Light was initially organized by leaders within the non-Native, primarily white conservation movement in Maine who sought to better understand the history of Wabanaki land loss in order to begin making amends. As result of 3 years of relationship-building, resource-sharing and moving forward at the speed of trust, First Light has supported the development of an independent Wabanaki Commission on Land and Stewardship (Nil yut ktahkomiq nik) and a delegation of non-Native conservation groups who are both committed to working together to expand Wabanaki access and stewardship of land. Together, we have begun granting access to tens of thousands of acres of land and to share resources toward our goals.
First Light gave an information session in August of 2020 about our work and motivations. You can download the recording here.
The Story of our Logo by Ann Pollard-Ranco
Ann Pollard-Ranco is a member of the Penobscot Nation and has been an artist and environmental activist since she was a young teenager. Now in her mid 20s, she works as a professional artist, photographer / videographer, writer, cultural consultant, and in indigenous food systems recovery. The design for First Light’s logo was born out of the concept of collaboration, and moving towards the future. A Downeast sunrise was the inspiration for the design. Originally I incorporated a Wabanaki double curve into the sunrise to remind viewers that the “People of the Dawnland” are still here, and this is still our cherished homeland. Upon reflection and advice from tribal elders who were concerned about a Native American motif being used by a non-indigenous organization, and how that could be seen as cultural appropriation, I decided to remove the double curve motif and instead incorporate two eagles flying towards the sunrise. The eagles symbolize our ancestors continued presence and hope for the future.